Notes

[i] Benjamin Franklin to Josiah Wedgwood, 15 May 1788

[ii] Quoted in Jo-Ann Morgan.  Uncle Tom’s Cabin as Visual Culture (Columbia: University of Missouri Press, 2007), 66

[iii] Richard Duke, “The Review,” in Poems by the Earl of Roscomon (London: J. Tonson, 1717), 324; The Celdonian Warbler, The Pocket Songster, Or Caledonian Warbler. A Collection of Popular Scotch Songs, Etc, (Edinburgh: John Andrerson, 1823), 411; S. Robert Teitelman, Patricia A. Halfpenny, and Ronald W. Fuchs II, Success to America: Creamware for the American Market (Suffolk: Antiques Collectors Club, 2010), 112-13.

[iv] William Cowper, The Negro’s Complaint: A Subject for Conversation and Reflection at the Tea Table in The Gentleman’s Magazine, December 1793.

[v] Thomas Clarkson.  History of the Abolition of the Slave Trade (London, 1808), Volume II 451

[vi] Thomas Clarkson.  History of the Abolition of the Slave Trade (London, 1808), Volume II 191-92

[vii] Phillip Lapansky, “Graphic Discord: Abolitionist and Antiabolitionist Images” in Jean Yellin and John van Horne, ed., The Abolitionist Sisterhood (Ithaca: Cornell University Press, 1994), 201-230; Quoted in Maurie McInnis, Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade (Chicago: University of Chicago Press, 2011), 32.

[viii] Mary Dudley, Scripture Evidence of the Sinfulness of Injustice and Oppression, published in (London, 1828), frontispiece

[ix] “Uncle Tom in Painting and Statuary,” The Liberator, December 23, 1852 (Uncle Tom’s Cabin and American Culture, http://utc.iath.virginia.edu/notices/nohhtml, accessed March 20, 2016).

[x] “Uncle Tom in Painting and Statuary,” The Liberator, December 23, 1852 (Uncle Tom’s Cabin and American Culture, http://utc.iath.virginia.edu/notices/nohhtml, accessed March 20, 2016).

[xi] Harriet Beecher Stowe.  Uncle Tom’s Cabin (London: John Cassell, 1852), 224.

[xii] Jo-Ann Morgan.  Uncle Tom’s Cabin as Visual Culture (Columbia: University of Missouri Press, 2007), 11, 27

[xiii] Jo-Ann Morgan.  Uncle Tom’s Cabin as Visual Culture (Columbia: University of Missouri Press, 2007), 28-31

[xiv] Lawrence Glickman, “Buy for the Sake of the Slave: Abolition and the Origins of American Consumer Activism,” in American Quarterly, 56:4 (December 2004), 889-912.

[xv] Wendell Garrison, “Free Produce Among the Quakers” in The Atlantic (October 1868), 486.

[xvi] Thomas Clarkson.  History of the Abolition of the Slave Trade (London, 1808), Volume II 451 

[xvii] Richardson, David, Suzanne Schwarz, and Anthony Tibbles. 2010. Liverpool and transatlantic slavery. Liverpool: Liverpool University Press. 15. 

[xviii] Quoted in Richardson, David, Suzanne Schwarz, and Anthony Tibbles. 2010. Liverpool and transatlantic slavery. Liverpool: Liverpool University Press. 231. 

[xix] What does your sugar cost?: a cottage conversation on the subject of British Negro slavery. 1826. London: J. Nisbet. http://find.galegroup.com/sas/infomark.do?docType=ECCO&contentSet=ECCO&type=getFullCitation&tabID=T001&prodId=SAS&version=1.0&docLevel=TEXT_GRAPHICS&resultListType=RESULT_LIST&bookId=SASB2541803400&source=library.